Showing posts with label Hypnos 69. Show all posts
Showing posts with label Hypnos 69. Show all posts

Friday, January 28, 2011

Weekly Dose of Prog: Hypnos 69 - Legacy

I originally thought that Hypnos 69 were a stoner act, and why not? The act has been getting a lot of attention on the various stoner and doom websites I read, so it would be easy claim to make. Later, I was scrolling through the Prog Archives best of 2010 list and saw Legacy within the top 5! Ok, so maybe they're a progressive stoner doom or something, something to warrant being included within Doommantia or The Obelisk. Nope. What I found out is that they are straight progressive rock band, akin to something more out of the early 70s then the modern era of the genre. Well, I was (and am) not disappointed by that in the least, I love me some prog, as I've mentioned on many an occasion, so I had no problem settling down and grabbing an ear-full of what Hypnos 69 had to offer.

The first thing of note on Legacy is the scope; these are some epic songs that Hypnos 69 recorded. The two longest songs, "Requiem (For A Dying Creed)" and "The Great Work," bookend the production, coming in at 17:51 and 18:27 respectively. These are also the group's best songs, capturing their attention to detail and their impressive musicianship. The opening track starts off calm and with a level of beauty, incorporating the keyboard as the central point. The music ebbs and flows nicely, as epic progressive music must to retain any semblance of attention from the listener.
The final song is by far their most progressive work, and consequently, their best piece. "The Great Work" lives up to it's name in a big way, using several instruments, horns and woodwinds, in noticeable positions throughout. I'm not sure if any of these are used earlier in the album, and if they are it isn't to a fully noticeable degree until this song. I know there is flute used throughout the album, but this song brings in saxophone, and I'm guessing at a xylophone as well (can't quite place it). Amongst the instruments there are some beautiful melodies performed, equaled with some great vocals. The song moves from a keyboard and flute focus, into a full-band electric configuration, then ends with a jamming jazz melody. There obviously is more, but this review is off of one listen, and I couldn't possible pull everything I want to out of an almost twenty minute song. This is the song I would go back to hear later, when I'm hunting and choosing singles, this is the one I'd like to pop up on my iPod from time to time.